NUNSENSE is the hilarious musical farce about a convent of Nuns staging a fundraiser to enable them to bury the last four nuns of their order who died of botulism in an unfortunate convent cooking accident (and who are temporarily being stored in the freezer!). The Little Sisters of Hoboken (well, what's left of them) put on this riotous revue packed with hilarious, show-stopping song and dance numbers, and always proves to be a crowd favorite.

Directed for LCCT by Wil Kilroy

The action is set in Truvy’s beauty salon in Chinquapin, Louisiana, where all the ladies who are “anybody” come to have their hair done. Helped by her eager new assistant, Annelle (who is not sure whether or not she is still married), the outspoken, wise-cracking Truvy dispenses shampoos and free advice to the town’s rich curmudgeon, Ouiser, ("I’m not crazy, I’ve just been in a bad mood for forty years"); an eccentric millionaire, Miss Clairee, who has a raging sweet tooth; and the local social leader, M’Lynn, whose daughter, Shelby (the prettiest girl in town), is about to marry a “good ole boy.” Filled with hilarious repartee and not a few acerbic but humorously revealing verbal collisions, the play moves toward tragedy when, in the second act, the spunky Shelby (who is a diabetic) risks pregnancy and forfeits her life. The sudden realization of their mortality affects the others, but also draws on the underlying strength—and love—which give the play, and its characters, the special quality to make them truly touching, funny and marvelously amiable company in good times and bad.

Directed for LCCT by Greg Thompson

ELF is the hilarious tale of Buddy, a young orphan who mistakenly crawls into Santa's bag of gifts and is transported to the North Pole.

Buddy is raised unaware that he is actually a human, until his enormous size and poor toy-making abilities cause him to face the truth. With Santa's permission, Buddy embarks on a journey to New York City to find his birth father and discover his true identity.

Faced with the harsh reality that his father is on the naughty list and his stepbrother doesn t even believe in Santa, Buddy is determined to win over his new family and help New York remember the true meaning of Christmas.

Directed for LCCT by Janet Beatty-Payne

Matilda is the story of an extraordinary little girl with extraordinary powers. The daughter of abusive parents, Matilda finds refuge in library books, which she reads quickly and in creating her own stories. Things are no better at school, where Matilda also must face a tyrannical and cruel headmistress, Miss Trunchbull, who believes in Crunchem Hall’s motto: “Bambinatum est Magitum,” or “Children are Maggots.” She finds companionship in her teacher, Miss Honey, though well-intentioned, is shy and fragile. Brave little Matilda knows she has to stand up against the adults in her world, and in doing so, discovers her own remarkable powers. Matilda’s bravery teaches Miss Honey and her classmates an important lesson -- that even though life can be hard, “nobody but me is gonna change my story” so “sometimes you have to be a little bit naughty.”

Directed for LCCT by Michael Wise

The One-Act Play Festival highlights local Las Cruces talent and is presented free of charge over two weekends to our community for their enjoyment. Of course, donations are gratefully accepted.

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Speculated by many (including NY Times critic Ben Brantley) to be the greatest of all American musicals, Gypsy tells the story of the dreams and efforts of one hungry, powerhouse of a woman to get her two daughters into show business. Gypsy is loosely based on the 1957 memoir of famous striptease artist Gypsy Rose Lee, entitled Gypsy: Memoirs of America’s Most Celebrated Stripper. The memoir and the musical focus on the story of Gypsy Rose Lee’s mother, Rose, and earned Rose a place in the theatrical and literary canon as the quintessential, archetypal “Stage Mother.” The musical features songs that have become standards of the musical theatre canon, including “Some People,” “Let Me Entertain You,” “Rose’s Turn,” and the show-stopping “Everything’s Coming Up Roses”. Gypsy is famous for helping launch lyricist Stephen Sondheim’s career, and features a book by Arthur Laurents that is widely considered to be one of the classic examples of a traditional “book musical.” At the heart of the musical is the gregarious Rose, whose journey made critic Frank Rich call Gypsy, “Broadway’s own brassy, unlikely answer to King Lear.”

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Directed for LCCT by Constance Hasapopoulos